Succession's Brian Cox reveals he is on Ozempic as he discusses his trim new look and shares shock details of his near-death experience
Brian Cox has revealed that he is on Ozempic and shared shocking details of his near-death experience. The Succession actor, ...
The 2025 Oscar Craft Races: Who Will Win, Who Should Win
We look at the state of Best Cinematography, Costume and Production Design, VFX, Score, Sound, Editing, Makeup/Hair races, ...
How ‘The Brutalist’ Composer Used Its Score to Make the Film ‘Feel Alive’
Rolling Stone can exclusively reveal that 'The Brutalist' will release its Oscar-nominated score by Daniel Blumberg on vinyl.
Movieguide8h
What Went into Creating These ‘Challenging’ DUNE Scenes?
The creative team behind DUNE: PART TWO recently revealed the work that went into filming the movie’s distinctive ...
2025 VES Winners Include ‘Kingdom of the Planet of the Apes,’ ‘Dune: Part Two,’ and ‘The Wild Robot’
The Visual Effects Society 2025 Awards were led by 'Kingdom of the Planet of the Apes.' 'Dune: Part Two,' and 'The Wild Robot ...
Game Rant9h
The Ending of Dune Part 2 Created A Problem for Dune Messiah
Dune director Denis Villeneuve's deviations from Herbert's novel make adapting Part 3 an extremely difficult task.
Visual Effects Society Awards: ‘Kingdom of the Planet of the Apes' topples ‘Dune: Part Two' for top prize
The Visual Effects Society just made the Oscar race for Best Visual Effects a lot more interesting, crowning Kingdom of the ...
‘Kingdom of the Planet of the Apes,’ ‘Dune: Part Two’ Top Visual Effects Society Awards
At the celebration of achievement in visual effects, "The Wild Robot" triumphed in animation and "Shōgun" dominated in the TV categories ...
VES Awards: ‘Dune: Part Two', ‘Wild Robot' & ‘Shōgun' Among Early Winners – Updating Live
The Visual Effects Society is handing out its 23rd annual VES Awards tonight at the Beverly Hilton, and Deadline is posting ...
How the ‘Dune: Part Two’ Sound Team Created the Sonics of Sand Worms and a “Planet of Bloodthirsty Lunatics”
Supervising sound editor Richard King, nominated for an Oscar for the film, explains why he didn’t — and couldn’t — inherit a sound library for the sequel.