Still, Maria is a marvel to look at, unfolding in a Paris lit by pale September sun. It is 1977, and La Callas is a recluse, long gone from Covent Garden but never quite ruling out a comeback. Pills are popped. The butler frets.

At an intimate party in Soho recently, the designer Erdem Moralıoğlu introduced a screening of Maria (the Pablo Larraín-directed biopic centred around the last days of Maria Callas’s tumultuous life starring Angelina Jolie).

Pablo Larraín’s newest film, Maria, explores the final days of the Opera Singer Maria Callas and how her life deteriorated to an empty shell of her illustrious career.

Angelina Jolie, who played the influential opera singer Maria Callas in her latest film, opened about the struggles she faced while portraying the role. The Maleficent star said that she had

Maria” marks the third installment, after “Jackie” and “Spencer,” in director Pablo Larraín’s pseudo-trilogy of historical biopics.

As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary soprano Maria Callas would have known exactly what he meant, and she herself said “an opera begins long before the curtain goes up and ends long after it has come down.

Angelina Jolie steps into the shoes of opera legend Maria Callas in the new biopic Maria, directed by Pablo Larraín. The first trailer reveals Jolie’s emotional portrayal, showcasing her transformation into the famous soprano.