v=stzo-8N1dhQ “The sound is so soupy ... Asked to imagine a music business under a Nazi occupation in the 1960s, Cohen superimposes the past on the present — much like the “Castle ...

Sound acts as a window into a world we don’t know in that film. Maestro is all about the music, putting you in ... I added the subject matter of the Holocaust to that memory, I just thought ...

The Holocaust should never be forgotten. Through this music, I hope to bring everyone ... we also spent quite a long time at Auschwitz recording the sound of the place as it is now.

The Lost Music of Auschwitz' and 'The Last Musician of Auschwitz' air in commemoration of the 80th anniversary of the liberation of the camp where more than 1.1 million people lost their lives.