Artist, Jaune Quick-to-see Smith: My name is Jaune Quick-to-see Smith. The title of this work is Paper Dolls for a Post-Columbian World (With Ensembles Contributed by the U.S. Government). These paper ...

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

Otobong Nkanga: Everything comes from nature, even if we're holding a laptop or even if we're holding a cup. But every natural resource seems to be cheaper than what is processed. And that affects, of ...

Artist, Otobong Nkanga: One of the things I'm really interested in is our relationship to this environment—thinking of labor, extractivism, connection to the land, thinking of ways of renovating, ways ...

“I try to see one thing from five different viewpoints and keep moving, working around a central point,” Thomas Schütte has said. “But what it is I don’t know. As soon as you define it, it’s ended.” ...

Esta beca, que se ofrece anualmente a curadores de MoMA y MoMA PS1, busca generar nuevas ideas que eventualmente informarán exposiciones, adquisiciones y programas públicos, y contribuirá a la ...

In April 2000, The Museum of Modern Art’s director, Glenn D. Lowry, joined other American museum directors to present testimony before the Presidential Advisory Commission on Holocaust Assets, ...

The MoMA Alzheimer's Project was a special initiative in the Museum's Department of Education.The initiative took place from 2007 to 2014 and was generously funded by MetLife Foundation. During this ...

MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina ...

Immerse yourself in ideas and see your world in new ways through art. In MoMA’s free Massive Open Online Courses (MOOCs) on Coursera, you will hear directly from artists and designers, look closely at ...

Narrator: Edward James, a British poet and patron of Surrealism, commissioned Magritte to make this portrait in 1937, titled Not to be Reproduced. Curator, Art Institute of Chicago, Stephanie ...

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