Fig.2 John Constable The Cornfield 1826 National Gallery, London Born into a prosperous family in the village of East Bergholt, Suffolk, Constable’s early display of aptitude and passion for painting ...

Miss Alice Gostick was a teacher at Castleford Secondary School, which Moore attended between the ages of eleven and eighteen. A member of the Art Teachers’ Guild, Miss Gostick advocated a progressive ...

Longinus, ‘Longinus on the Sublime’, trans. by W.H. Fyfe and Donald Russell, in Jeffrey Henderson (ed.), Aristotle, Poetics; Longinus, on the Sublime; Demetrius ...

This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...

Suspended, collapsed, stacked, wrapped or folded, the works of Phyllida Barlow spring from an interrogation of some of the most fundamental aspects of sculpture: its physical attributes and its ...

Contemporary artists have extended the vocabulary of the sublime by looking back to earlier traditions and by engaging with aspects of modern society. They have located the sublime in not only the ...

In 1886 the philosopher Friedrich Nietzsche declared the sublime out of date. A number of artists of early and mid-twentieth century continued to engage with concepts of the sublime, though often in ...

Robert Bevan and Stanislawa de Karlowska settle at 14 Adamson Road in the Swiss Cottage area of London. Albert Rutherston contributes two pictures to the New English Art Club and meets Walter Sickert ...

Farley is an autistic artist whose work explores her autism, UK disability culture and inclusion. She subverts the traditional culture of galleries and museums, while acknowledging their dedication to ...